![]() ![]() Relative chords sound good together because they share two common notes and are based on the same scale. ![]() For example, A minor is the relative minor of C major. Each chord in the scale will have either a relative minor or major chord that complements it. Relative Minor or Major SubstitutionĮvery key has a group of chords that sound good together. ![]() Here are three common reharmonization techniques: 1. There are many ways in which you can find chords that support a melody. In the example below, I transposed the chords for Jingle Bells to the relative minor:ĭmin7 – Cmaj7 – B7♭5 – E7#9 – Amin Reharmonization Techniques In a reharmonization, the melody notes stay the same, but some or all of the chords are different. This technique allows the listener to hear the same melody they’re familiar with in a fresh, innovative way.įor example, the original chords for Jingle Bells are: Whereas, substituting the harmony chords is a much safer way to modify the sound without completely changing the song. By changing the melody, you risk altering the most identifiable aspect of a song. It’s the part most listeners latch onto and sing or hum. Why would a musician want to change the chords in a song and not change the melody? The melody is often the most recognizable and catchy part of a song. For example, you can transform a happy pop song into a sad song (or vice versa). Changing the underlying harmonies can bring new life to your music by adding varying degrees of tension and harmonic color to your chords. Reharmonization can dramatically change the mood and character of a song. It’s an excellent technique that gives an existing song a different sound and a personal touch! For example, you can replace chords that share common tones without completely changing the original song. However, you can change the flavor of a song by substituting one or more chords that still work musically with the melody. The interaction between melody and harmony gives the song richness and flavor. For example, playing a C major chord and using the notes C, E, or G in the melody will create harmony. Generally, the underlying chords (chord tones) will contain the strong melody notes (notes that either repeat in a bar or are longer than other notes). For example, the chords that support a single line melody creates harmony. In its simplest form, harmony occurs when two or more notes are played simultaneously. To understand reharmonization further, you must first know how harmony works.
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